a quiet weekly delivery of seasonal stems, composed in the ikebana spirit — space, line, the silence between. grown in lim chu kang, kranji and across the causeway; brought to your door on sunday afternoons.
the discipline we keep is simple — space, line, the silence between stems. nothing more than what the week asked for.
stems arrive cut that morning from lim chu kang, kranji and negeri sembilan. no air freight, no dutch auction, no cellophane.
each week opens on a single form — heliconia in april, ylang in june, dried grasses in the dry months. held for the week, then returned to compost.
a single magnolia branch, held. from the studio portrait series.
a trio of raw stoneware vessels. stems of your choosing.
preserved eucalyptus, lagurus, ruscus. kept for the dry months.
a loose field study — chrysanthemum, oats, pampas.
two rhythms, one studio. pause any week, skip a fortnight, return the vessel at the end of the season. we ask for nothing you can't quietly undo.
one arrangement, one vessel, changed each week. the form follows the growers — we don't promise a look, we promise a composition.
a larger form, held across two weeks. for homes that prefer one considered object to two quick ones.
we take on a small number of commissions each month — ceremonies of forty or fewer, editorial shoots, restaurant openings, and standing accounts for hotels and studios that want one considered arrangement, refreshed weekly.
why we leave more room than we fill, and what the japanese call the space between things.
a morning in lim chu kang with ah seng, the third-generation grower who supplies half our rotation.
we stopped using cellophane in 2023. the unbleached linen that replaced it has a longer, quieter life.
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